Digital Photography
I have worked in photography since I was a
teenager, that's more than 40 years ago and long
before personal computers or digital photography were even
dreamed of.
So, I can claim a good eye for a picture and I am
able to produce decent photographs for publication purposes -
especially for newspapers, magazines and web sites.
I learned my craft as a photojournalist, working where I was
allowed to shoot pictures as well as writing news stories or
articles to go with them. (See Hong Kong News Reporter for
details.)
I also spent two years studying photography at Filton
Technical College, Gloucestershire, in the U.K. 1969-1970, when
I lived in Bristol. The photography course involved
using 4x5 inch studio cameras, as well as 35mm cameras.
Back in those days the 120 roll film camera
shooting 12x 2 1/4 inch square images was
officially a "miniature" camera, and most publications refused
to handle 35mm transparencies because they were too easily lost
or damaged during the old platemaking processes. 4 x 5 inch
transparencies were preferred for magazine use.
We still worked mostly in black and white in those days, but
I did develop my own colour negatives and make my own
enlargements with a Durst enlarger with its 3-dial colour head.
And I had a Durst RCP-20 print processor, which was
basically a lightproof plastic box with
three temperature-controlled chemical baths inside. The
exposed but undeveloped colour print paper was drawn
inside by two rubber rollers, and dipped through the
chemicals in turn. A damp-dry developed enlargement
would pop out of the far side of the machine a few minutes
later, ready to be thoroughly washed in lukewarm running water
and then dried.
I also experimented with various colour transparency types
including Kodak Ektachrome film and a couple of wierd
ones. I also used Ilford's Cibachrome process to make
colour prints from colour slides. Temperature control in the
darkroom had to be very strict, but the results were good and
far cheaper than using a "pro" laboratory.
My cameras of choice had always been Asahi Pentax SLRs, and
I stuck with them through the late 60s and 70s, only changing
to Nikon after I came to Australia in 1976.
I still shot photos with my SLRs during the 80s and 90s, but
I also learned to enjoy the freedom of smaller compact 35mm
cameras with the convenience of built-in flash and autofocus...
things we take for granted nowadays.
I only got rid of my film cameras in 1997 when
I purchased my first digital camera, a little Canon model.
Since then I have used and owned several digital cameras, and I
would never go back to film and wet darkrooms ever again.
Digital photography makes life so much more fast and
efficient.
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